Dean Devlin|5442|8406|- How did you come up with the opening scene?|2|||49|V5DEAN|255|5|Co-Writer / Producer|false
Joel B. Michaels|798|3312|- What is the single most important thing you would want our users to know?|3|||41|V4JOEL|255|4|Producer|false
Andy Armstrong|10902|12948|- Describe the stunts.|4|||34|V3PORRO|255|3|Stunt Coordinator|false
Dean Devlin|25014|29010|- How does one make an epic film on a budget?|5|||66|V5DEAN|255|5|Co-Writer / Producer|false
Roland Emmerich|29892|35322|- How do you manage the creative flow between you as director and the rest of your crew?|6|||90|V9ROLAND|240|9|Director / Co-Writer|false
James Spader|9596|11166|- Describe the structure of the film.|7|||26|V6SPADER|255|6|Dr. Daniel Jackson|true
Dean Devlin|17604|18900|- What is one of the secrets of STARGATE?|8|||21|V5DEAN|255|5|Co-Writer / Producer|false
Roland Emmerich|1872|6138|- How was Mili Avital cast for the role of Sha'uri?|9|||71|V9ROLAND|240|9|Director / Co-Writer|false
Dean Devlin|9024|12672|- How do the heroes change as a result of their encounter at Nagada?|10|||60|V5DEAN|255|5|Co-Writer / Producer|false
Mili Avital|18396|21072|- Describe learning a new language for the film.|11|||44|V1MILI|200|1|Sha'uri|false
Ute Emmerich|3840|5412|- Describe working with Roland.|12|||26|V7UTE|255|7|Co-Producer|false
Roland Emmerich|37590|38658|- Why don't certain scenes change at all from script to final?|13|||17|V9ROLAND|240|9|Director / Co-Writer|false
Roland Emmerich|5898|8550|- How does digital technology help you visualize the film in pre-production?|14|||44|V9ROLAND|240|9|Director / Co-Writer|true
Roland Emmerich|26418|30120|- How did you come up with the opening scene?|15|||61|V9ROLAND|240|9|Director / Co-Writer|false
Roland Emmerich|38430|39264|- What was the first image you had in mind when visualising the film?|16|||13|V9ROLAND|240|9|Director / Co-Writer|false
Roland Emmerich|13086|15504|- Any examples of the way an actor "personalised" a role?|17|||40|V9ROLAND|240|9|Director / Co-Writer|false
Mili Avital|22746|27114|- Describe working with the other actors.|18|||72|V1MILI|200|1|Sha'uri|false
Kurt Russell|14790|17730|- What were the challenges of the location?|19|||49|V2KURT|220|2|Colonel Jack O'Neil|false
Ute Emmerich|1470|4080|- What is the single most important thing you would want our users to know?|20|||43|V7UTE|255|7|Co-Producer|false
Kurt Russell|19554|23190|- Describe working with James Spader.|21|||60|V2KURT|220|2|Colonel Jack O'Neil|true
Jeff Okun|29106|31908|- Describe working with Roland.|22|||46|V3PORRO|255|3|Digital Visual Effects Supervisor|false
Mili Avital|4272|5742|- How did you begin work on the film?|23|||24|V1MILI|200|1|Sha'uri|false
Mili Avital|5508|9816|- What were the challenges of shooting on location?|24|||71|V1MILI|200|1|Sha'uri|false
Kurt Russell|8364|10626|- Describe the stunts.|25|||37|V2KURT|220|2|Colonel Jack O'Neil|false
James Spader|8612|9806|- Describe the structure of the story.|26|||19|V6SPADER|255|6|Dr. Daniel Jackson|false
Dean Devlin|0|1704|- Describe your role on the team.|27|||28|V5DEAN|255|5|Co-Writer / Producer|false
Kurt Russell|17512|19926|- Describe working with the production team.|28|||40|V2KURT|220|2|Colonel Jack O'Neil|false
Dean Devlin|18696|21366|- What is the single most important thing you would want our users to know?|29|||44|V5DEAN|255|5|Co-Writer / Producer|false
Peter Mitchell Rubin|5676|9228|- What is the value of storyboarding?|30|||59|V8RUBIN|255|8|Production Illustrator / Animated Video Playback Effects|false
Ute Emmerich|5208|8946|- Describe how the story changed from script to final.|31|||62|V7UTE|255|7|Co-Producer|false
Kurt Russell|12889|15018|- What were the challenges of shooting on location?|32|||35|V2KURT|220|2|Colonel Jack O'Neil|false
Mili Avital|16770|18624|- Describe your character.|33|||30|V1MILI|200|1|Sha'uri|false
Roland Emmerich|8436|13326|- As a writer and director, how do you work with actors?|34|||81|V9ROLAND|240|9|Director / Co-Writer|true
Joel B. Michaels|19788|23616|- Describe working with Roland.|35|||63|V4JOEL|255|4|Producer|false
Joseph Porro|5664|7800|- How does one combine the genres of ancient Egypt and Science Fiction?|36|||35|V3PORRO|255|3|Costume Design|false
Kurt Russell|0|1890|- How does your character change over the course of the film?|37|||31|V2KURT|220|2|Colonel Jack O'Neil|false
Roland Emmerich|15264|19446|- How did you cast Jaye Davidson for the role of Ra?|38|||69|V9ROLAND|240|9|Director / Co-Writer|false
Mili Avital|0|4512|- How did you get this part?|39|||75|V1MILI|200|1|Sha'uri|false
Kurt Russell|10398|13086|- What were the challenges in working on the desert scenes?|40|||44|V2KURT|220|2|Colonel Jack O'Neil|false
Dean Devlin|33024|34536|- What effect will interactive digital technology have on this industry?|41|||25|V5DEAN|255|5|Co-Writer / Producer|false
Joel B. Michaels|0|942|- Describe your role on the team.|42|||15|V4JOEL|255|4|Producer|false
Dean Devlin|34332|35376|- What were the challenges of shooting on location?|43|||17|V5DEAN|255|5|Co-Writer / Producer|true
Joel B. Michaels|15546|19992|- How does digital technology help you visualize the film in pre-production?|44|||74|V4JOEL|255|4|Producer|false
James Spader|3240|5940|- Describe working on such a "big" film.|45|||45|V6SPADER|255|6|Dr. Daniel Jackson|false
Roland Emmerich|35106|37818|- Describe the structure of the story.|46|||45|V9ROLAND|240|9|Director / Co-Writer|false
James Spader|5708|8840|- Describe working with Roland.|47|||52|V6SPADER|255|6|Dr. Daniel Jackson|false
Dean Devlin|8196|9234|- What's most difficult about the film in process?|48|||17|V5DEAN|220|5|Co-Writer / Producer|false
Roland Emmerich|44868|47244|- Describe working with the creative team.|49|||39|V9ROLAND|240|9|Director / Co-Writer|false
Dean Devlin|14304|17826|- Any examples of the way an actor "personalised" a role?|50|||58|V5DEAN|255|5|Co-Writer / Producer|false
Jeff Okun|31686|33438|- How does digital technology help you visualize the film in pre-production?|51|||29|V3PORRO|255|3|Digital Visual Effects Supervisor|false
Dean Devlin|1494|5652|- Describe how the story changed from script to final.|52|||69|V5DEAN|255|5|Co-Writer / Producer|false
Mili Avital|9588|11082|- Compare Israeli and Hollywood film production.|53|||24|V1MILI|200|1|Sha'uri|false
Peter Mitchell Rubin|0|4020|- How do storyboards work?|54|||67|V8RUBIN|255|8|Production Illustrator / Animated Video Playback Effects|false
Roland Emmerich|19206|23508|- Describe the use of digital technology in the production of the film.|55|||71|V9ROLAND|240|9|Director / Co-Writer|false
Dean Devlin|12450|14532|- As a writer and producer, how do you work with actors?|56|||34|V5DEAN|255|5|Co-Writer / Producer|false
Peter Mitchell Rubin|9822|13782|- Describe the use of digital technology in the production of the film.|57|||66|V8RUBIN|255|8|Production Illustrator / Animated Video Playback Effects|false
Roland Emmerich|39030|45102|- What is the single most important thing you would want our users to know?|58|||101|V9ROLAND|240|9|Director / Co-Writer|false
Jeff Okun|24954|29334|- How does an effect change over the course of production?|59|||73|V3PORRO|255|3|Digital Visual Effects Supervisor|false
Jeff Okun|22122|25176|- What is the connection of power and technology in the film?|60|||50|V3PORRO|255|3|Digital Visual Effects Supervisor|false
Joseph Porro|2460|5898|- Describe your role on the team.|61|||57|V3PORRO|255|3|Costume Design|false
Mili Avital|10854|17016|- How does your character change over the course of the film?|62|||102|V1MILI|200|1|Sha'uri|false
James Spader|0|3474|- Describe working with Mili Avital.|63|||57|V6SPADER|255|6|Dr. Daniel Jackson|false
Dean Devlin|28782|33246|- Describe the structure of the story.|64|||74|V5DEAN|255|5|Co-Writer / Producer|false
Ute Emmerich|0|1680|- What are the responsibilities of the various producers?|65|||28|V7UTE|255|7|Co-Producer|false
Ute Emmerich|8754|12264|- How does one make an epic film on a budget?|66|||58|V7UTE|255|7|Co-Producer|false
Mili Avital|20844|22974|- Describe the role of women in Nagada, and in Ancient Egypt.|67|||35|V1MILI|200|1|Sha'uri|false
Joel B. Michaels|8166|15744|- Describe the structure of the story.|68|||126|V4JOEL|255|4|Producer|false
Kurt Russell|1890|3528|- Describe your character.|69|||27|V2KURT|220|2|Colonel Jack O'Neil|false
Peter Murton|12996|17454|- How does one combine the genres of ancient Egypt and Science Fiction?|70|||74|V3PORRO|255|3|Art Director|true
Patrick Tatopoulos|0|2754|- Describe your role on the team.|71|||45|V3PORRO|255|3|Creature Effects Designer and Creature Effects Supervisor|false
Roland Emmerich|23898|26658|- Any examples of the way a member of the creative team "personalised" an effect?|72|||46|V9ROLAND|240|9|Director / Co-Writer|false
Antoine Bonsorte|7524|11004|- Describe your role on the team.|73|||58|V3PORRO|255|3|Computer Designer|true
Dean Devlin|21162|25224|- How does one combine the genres of ancient Egypt and Science Fiction?|74|||67|V5DEAN|255|5|Co-Writer / Producer|false
Kurt Russell|3288|8586|- How does your character change over the course of the film?|75|||88|V2KURT|220|2|Colonel Jack O'Neil|false
Peter Mitchell Rubin|9018|10056|- How does digital technology help you visualize the film in pre-production?|76|||17|V8RUBIN|255|8|Production Illustrator / Animated Video Playback Effects|false
Jeff Okun|17214|22326|- What kind of effects were used in this film?|77|||85|V3PORRO|255|3|Digital Visual Effects Supervisor|false
Joel B. Michaels|3078|8490|- What were the challenges of the location?|78|||90|V4JOEL|255|4|Producer|false
Peter Mitchell Rubin|3804|5886|- Describe your role on the team.|79|||34|V8RUBIN|255|8|Production Illustrator / Animated Video Playback Effects|false
